11th December 2002: Pretty good, but not a patch on Hamlet

That was Zorinth’s review the first time we saw Macbeth when he was ten, delivered loudly as we went out through the lobby.

This production, by the National Theatre School graduating class, downtown in the Monument National theatre was much better, though still not a patch on Hamlet. (But no, you can’t go even if you’re in Montreal, because they’re sold out all week.) Lady Macbeth was wonderful, and Macbeth was wonderful. Macduff was terrific, and the way he played his own son was really impressive. They had the witches onstage a lot of the time as hunched figures on the battlements, and they made great use of the pool they had downstage. There was a lot of movement and really truly beautiful words, delivered with meaning even when they were speeches so famous that there are thirty booktitles hidden in them. It was great. I could have done without the bagpipes, but generally it was an impressive and credible interpretation.

I have a problem with it, and I think this means I am never going to like that play no matter what.

In Pratchett’s Wyrd Sisters (I have seen the play but not read the book, I’m allergic to the books) which does a lot of playing with the concepts of Macbeth it borrows the idea of the play-within-the-play from Hamlet and has the usurper king decide to have a play to set out the way he came to the throne, and give the official version to give him countenance. Naturally, one of the witches intervenes and it becomes the real version of what happens with the opposite result. But there is a sense in which Shakespeare was writing the official version ot history to give it countenance — certainly in his history plays, and for me Macbeth is redolent of the anguish of the real history. The murdered truth behind the fiction leaps out behind the lines at me, in a way not even Richard III does.

At the end of Dunnett’s King Hereafter, a novel about the historical Macbeth, who didn’t do any of the awful things Shakespeare’s character did, when Macbeth is going out to fight his last battle, a prophet tells him that in a thousand years his name and his lady’s name will be the only names from their age of the world that everybody knows. It’s true, too, for while one might make a case for William the Conqueror and Canute, I think one would be on safer ground with everyone recognising the names of Macbeth and Lady Macbeth. He’s comforted by this, and goes out to die thinking that his work building the kingdom will last and be remembered.

That’s the kind of irony you need real history to make work.

Dunnett is better at that kind of spear-point, where there is a tiny touch of the spear that has behind it the whole weight of what came before to drive it home hard, than anyone else I have ever read. (Bujold comes close.)

Shakespeare wasn’t writing history, but I can’t help seeing the play as a kick in the teeth for poor Thorfinn Macbeth’s promised word-fame.

Most people have probably seen Macbeth before they’ve read King Hereafter, but I long ago swore a mighty oath not to read any Shakespeare before I had seen it performed, but to see it as often as I could, so it happened that I hadn’t.

In Renault’s The Mask of Apollo the central character reads Plato’s The Symposium and considers that if Socrates was such a man as Plato describes him then his death was murder and Aristophanes’ hands were not clean. It isn’t fair to consider Shakespeare’s hands stained by the blood of Macbeth’s murdered reputation.

Still, if you would have a story about a man who hears a prophecy and takes it for truth, only to have it twist beneath him, then here are two of them.

Posted in Books, Theatre

2nd December 2002: Cousin John

My aunt let me know yesterday that my cousin John Edwards has died. This isn’t terribly unusual, she’s the one who always lets me know people have died. I was sad but not shocked, the way he lived he wasn’t likely to make old bones.

What’s unusual is that he died in July and she only just found out. He was my first cousin once removed, son of my grandfather’s sister, my Auntie Doris, and therefore my aunt’s first cousin. She found out he was dead because her Christmas card was returned by his solicitor. So nobody in our family knew he was dead, because if they had known they’d have told my aunt. When his brother, my cousin Derek, died last year, everybody told everybody and everybody dutifully trooped off to the funeral. We’re Welsh, dammit, we have big funerals full of hwyl and talk about the person who is dead and connect again with the living. But not for John, who must have been buried without any of our family present. Auntie Doris, who was so much for family, and funerals, and connections, would have been really upset. She’s been dead since 1976.

My cousin John was a black sheep. Not the black sheep, our family has a lot of black sheep, but definitely one of them. He was born sometime during the War, he must have been conceived on one of his father’s leaves, because his father died in the Normandy landings. He and Derek grew up with their mother and their grandmother in the little house belonging to my great-grandmother, where my grandfather was earlier born and later died.

John got into trouble in the fifties, he couldn’t get a job, he became a forger, was caught and went to prison. His printing press was in the gully room of that house. Auntie Doris had the room bricked up, and my grandfather and I uncovered it after her death. She claimed she had it bricked up because she’d been having a seance downstairs at which the devil had appeared. She’d chased the devil upstairs with a prayerbook, as you would, and slammed the door of the gully room on him. She thought the bricks were a good idea though. My grandfather never believed this. The amazing thing is that everyone else did. Throughout my childhood, I hated to go upstairs in that house, I tiptoed past that blocked door, terrified of the devil. When we took the bricks down, I was trembling. The printing press, with its fascinating little cards and lead type and long dried inks, was both a disappointment and a revelation.

John came out of prison before I was born. He came out with some computer skills, on whatever early heavy iron had just been invented then, and went to London. At some point he made a printout of a horse with ones and zeros on green and white striped paper, which had pride of place on the kitchen wall in Auntie Doris’s kitchen, between Salem and The Light of the World.

John also became an alcoholic. He used to come home for Christmas every year of my childhood, and every year he would drink and drink and at some point get maudlin drunk, and at some other point do something ridiculous when drunk. One year he came around to our house (five minutes walk from Auntie Doris’s house) on one of the days between Boxing Day and New Year to ask my aunt, in a whisper he didn’t want my grandfather to hear, to drive him to a pub near Brecon where he’d left his car. He hadn’t been fit to drive, so he’d sensibly got a lift home. The only snag was he couldn’t remember exactly which pub near Brecon it was where he’d left the car…

He had a lovely laugh, I can remember it clearly, booming out, full of infectious cheer. I’d hear it from rooms away and know that Cousin John had arrived. He was charming and amusing, life and soul of any party, and he’d flirt with everyone, with his mother, with my grandmother and my aunt and anyone else who was around. He drank too much. He got married quite late to another alcoholic called Jean. They drank together and tried to quit drinking together, and drank together again, still coming down to Aberdare at Christmas even after Auntie Doris had died. They’d be wonderful companions for the first part of a meal, John especially, telling wonderful stories, and then they’d get too drunk and start to quarrel. Jean died a few years ago. She used to match John drink for drink. They stopped coming for Christmas when there was nowhere to go, we sold the house after my grandfather died.

My grandfather was the youngest of seven children who survived to adulthood. They’re all dead now, Auntie Flo was the last of them. I may have miscalculated, but I believe John had twelve living first cousins, and as for second cousins and first cousins once removed that would go into the hundreds. In our family we gather for funerals, whether we want to or not, dragging down from all over the country because it’s what we do. We sing “Calon lan”. Death is a part of life.

My cousin John Edwards has been dead since July, and none of the family knew. He died alone and nobody knew who to tell, and that’s wrong, for my family. How many funerals cousin John must have been to, in black, and sung loudly and laughed his big open laugh and then got drunk. He must have expected that one day he would end with the same send off. I wouldn’t have made it to the funeral anyway, not from here, but that would have been OK because my aunt would have put my name on her flowers and her card, “and Jo”. It’s not much, but it would have been enough.

And Jo, Cousin John, and Jo cared enough to remember you and to feel the world an emptier place without you.

Posted in Life as it blossoms out in a jar or a face

26th November 2002: Amazon…

Amazon, while they now admit they ship PRIZE IN THE GAME in 24 hours, still have no picture, and still say it’s released in December.

But much worse is that they claim people who bought it wear cheetah print slippers! Ach y fi!

It’s not true. I don’t believe it. I have this picture of an implicit reader, and my implicit reader does absolutely not wear cheetah print slippers. Sushi print slippers, maybe.

Posted in Sulien World, Whimsy

22nd November 2002 Publication of Prize in the Game

A delivery guy just delivered a big box of books — twenty hardbacks of THE PRIZE IN THE GAME. Amazon still don’t have the cover up, and still claim it isn’t released until December, even if they do have the good Publisher’s Weekly review. But I have my copies. It must be published.

I’m reconciled to the cover — it is in many ways a good cover. It’s orange, which is regrettable, and the artist clearly has never seen a chariot, which is a pity when you consider how much chariot fighting there is in this book. (Hadn’t he seen GLADIATOR? Hadn’t he seen BEN HUR? Evidently not, but he had seen a bran tub.) But on the good side, it does show a climactic scene, and it’s obvious to me which scene, even if the participants can’t quite be identified. (I guess it’s Darag going down and Ferdia going up, but neither of them look anything like them. Never mind.) I like the way the crossed swords are the focal point, even if I would have chosen a spear myself. And, let’s face it, any picture is improved no end with the addition of my name in seventy point type.

Hmm, if I could have designed the cover I’d have had a spear in flight cleaving the space diagonally, with a peaceful feast in pastoral colours in the top left hand half and a battle in the bottom right hand half in reds and blacks. Or maybe the shape of a horse in silhouette. But never mind, this will do, which is just as well.

The penultimate chapter, the one I wrote during proofreading to replace the truly appalling penultimate chapter I had written in a fit of idiocy last year, looks great. And the last chapter is there, which it wasn’t on the proof I signed for someone at WFC. I wrote the first line of it in for the poor chap. I’d have written it all in, but I wasn’t sure of some of the changes I’d made when I took the linebreaks out. I originally wrote the last chapter in Netscape miniscule on Elise’s Juan’s computer, when I was in Minneapolis for Minicon two years ago. I emailed it to myself with a filename of “not28” because I knew that chapter 28 couldn’t be a poem. In modern fiction, unlike in real Celtic fiction, you can’t break out of prose for the climactic moments. More’s the pity. Taking the linebreaks out and hoping nobody would notice hadn’t occurred to me at that point. It wasn’t 28 anyway, I was right about that, it’s 32. The whole book is written in fours, the four POVs in repeated pattern order all the way through.

It occurs to me now that I should have written a novel in straight single person third between that and the Sulien books, which are in unrelieved first person. The one I am writing now is in Trollopean omniscient. When I get back and write the PRIZE sequel, which will be called BREAKING THE WARD, that’ll be a four POV pattern again, though I’m not entirely sure yet who they’ll be.

I feel like working on it, having just re-read the last two chapters of PRIZE in cold print. But I should get on with what I’m supposed to be working on. Dragon book. Only 941 words Wednesday, and nothing yesterday with Rysmiel home. And Zorinth is home today with yet another Ped day from school… he’s happily playing a computer game and probably won’t emerge until lunchtime, but even so it’s hard to settle to it. I don’t know why I find it so hard to work with other people in the apartment, but they seem to crowd me on a psychic level when I’m trying to get my brain in gear to get started. It might be because there aren’t any proper doors on this room.

Anyway, THE PRIZE IN THE GAME is out there, and the other two are both on the shelves (in Chapters and Indigo downtown, where I can see them) in paperback. This is already an achievement not precisely beyond my dreams, but beyond my expectations for most of my life.

One copy goes on the shelf, under W, in hardcover between Vinge and Whittemore, which is really cool — the paperbacks go between Walsh and Wangerin. One copy for Zorinth — between Walsh and Watt-Evans in there, one copy for Rysmiel, which will get shelved after work, one copy for Kate, and another to post to Lucy, who really helped so much with this one, and the rest go in the closet. I know people are supposed to put clothes in closets, but I have so few clothes that like to hang up, and so many reference boxes of books.

Posted in My Books, Sulien World

11th November 2002: Ow, plus being bitten by baggage

I hurt my arm. I fell over and landed badly, bruising my elbow and I must have really jarred my whole arm because my shoulder really hurts. Tiger Balm helped, and a hot bath helped, and sitting with a hot water bottle on it is helping, if making me a little Quasimodo as I sit at the computer, but essentially, it hurts. I haven’t done anything too terrible to it, because I still have full motion, and it isn’t swollen, but all the same, ow.

There’s snow and ice here — 25cm of snow in the last few days — but I am an idiot and fell getting off an inclined moving walkway. The bottom of it was just incredibly slippery, and I went down. I didn’t even have the choice I usually have when falling of putting my right foot down hard, thus hurting my leg, or going with the fall, which is usually the better option. This time I was sliding and landing before I knew it, which is probably why I landed badly, thinking about it.

I also felt like an idiot, down on the ground, not less because people immediately started fussing around and trying to help. My instinctive response to having fallen is to say “I’m OK, I’m OK, please don’t try to help me!” which is in some ways crazy — I was saying this while wondering if I’d broken my arm! But so many times I’ve gone over and people have been utterly well meaning but ended up hurting me more than the fall, that I have well developed reflexes. People trying to help want to grab my arms and heave, which forces weight onto my right leg when I’m not expecting it, or not centred, or not in balance. The best thing is for me to get up in my own time, using the cane and my left arm, and turning to push up. Someone holding my left hand and staying steady is a help, if I can trust them not to pull. Random strangers in the metro, well, experience tells me they’re likely to pull, not to listen to what I’m saying.

I had a problem getting up, with my left arm refusing to co-operate, but I did get up, and I am fine.

But maybe saying I’m fine as a reflex when I might not be isn’t such a good idea. In fact, it’s plainly stupid. I shouldn’t be so defensive about this stuff — even if I have the defenses for good reason, and even if the good reason still exists? I don’t know. Shields that have worked are far harder to put down than any other hang-ups, in my experience. I am really bad about asking for help and accepting help generally.

Then this was rubbed in again. I came home on the metro, standing up, holding on with my arm hurting, until some kind person (with absolutely gorgeous golden tight-braid hair extensions that really suited her) gave me a seat. This reminded me of a conversation I was having on rasseff with Rivka a while ago, about asking for seats on public transport, in which I said I could more easily imagine killing someone for a seat than asking for it. Indeed, I was standing there imagining killing the specific people sitting down, but utterly unable to contemplate asking them to get up.

The more I think about this as a problem, the more the solution is clear — I should be less defensive about asking for what I need. But the solution is also horrifying — good grief, I can manage! I’m not helpless! I can cope! I got home, didn’t I? No need to bother other people… This is the sort of baggage that doesn’t just come running after you when you try to check it, this is the kind that has teeth.

To prove I can ask for things, I just asked Zorinth if he’d help me put the clean sheet on the bed, because I don’t think I can manage it with my arm like this. He said of course he would.

Posted in Life as it blossoms out in a jar or a face

Moving posts from Livejournal

I am going to be moving fifteen years worth of posts here from Livejournal. I’m not going to move everything, but lots. This may take some time.

Posted in Uncategorized

New Blog

This is a new blog for the splendiferous Jo Walton! She will edit this post soon to be less silly.

Posted in Uncategorized